Bleary-eyed Ray Le Clair performs a haze of drunken regrets, mutterings about the man he used to be, rambling about lost love and abiding rage. As Mainstreet Soldier begins, he offers a litany of false starts, pivoting around the question, “why should I change?” Le Clair’s self-pitying and self-fictionalizing character – a traumatized battlefield ghost – tests the documentary’s insistence on truth. In this video essay, Stephen Broomer situates Leonard Yakir’s celebrated short film in the context of CanLit’s disillusioned anti-heroes, and the tensions of performance in cinema verité.